In addition, the FX30 has the focus breathing compensation option for select Sony lenses, which, surprisingly, the FX3 does not have. We like the fact that this allows us to get nice-looking rack focus shots with ease. You can increase or decrease the tracking sensitivity and how fast it transitions from subject to subject. The consistent, accurate and responsive autofocus system is fully customizable like other Sony cameras. We found the Eye AF maintained its tracking even when overexposed or underexposed by a few stops. The FX30’s AF works great even in less-than-ideal scenarios. You’re getting essentially the same AF system but on a camera that’s half or less than half the cost of the cameras mentioned above. The FX30 has a very similar AF system to more expensive Sony releases, such as the Sony a1, Sont a7S III and Sony FX3. Its AF system offers face tracking and Eye AF, with animal subject options. The Sony FX30 has an exceptionally good and reliable autofocus (AF) system. The crop’s small enough to where we don’t really notice it and certainly not enough to alter the way we shoot. And we love that when we film in 4K/60p, there is a minimal 1.04 times crop. For example, this can be used to extend B-roll clips to cover up the fact that the shot wasn’t long enough for whatever reason. Just as important, when working in a 24p sequence, you can slow the footage down up to 50 percent of the original speed without it becoming choppy. It’s nice being able to crop in up to 200 percent without resolution loss when working in an HD workflow. 4K/60p is really great for covering up mistakes. The image has a beautiful cinematic look, crisp detail, film-like color and pleasing rendering of skin tones. The FX30 can capture UHD 4K video - oversampled from a 6K capture with no line skipping or pixel binning. It can also capture 4:2:2 10-bit internal recording and a slew of shooting profiles. Albeit, that’s with a hefty 1.56x crop - more on that later. Right out of the gate, the FX30 impressed us with its feature-rich spec sheet boasting 4K/120p. Plus, did we mention it’s only $1,800? That’s quite cheap for a cinema camera. There’s also the fully-articulating LCD display, uninterrupted video recording thanks to the built-in fan, five-axis in-body image stabilization, a dedicated zoom rocker and dual base ISO. The body is covered in custom function buttons and threaded mounting locations that are perfect for accessories. The optional audio handle adds professional XLR inputs, a shotgun microphone mount and physical audio dials and switches for all audio settings. Therefore, the footage is converted to 12-bit. It’s also got a full-sized HDMI that can output 16-bit RAW video to an external recording device however, there is no external recorder that can capture 16-bit RAW. You can also upload your own LUTs and add them as presets to preview footage accurately while shooting. It comes equipped with professional picture profiles such as S-Log3, S-Cinetone and HLG. It captured impressive 10-bit 4K footage up to 120 frames per second. Harnessing an all-new APS-C sensor, the FX30 leverages a powerful imaging system that echoes more expensive cinema cameras. This is a video camera, first and foremost. This, admittedly, does substantially hinder the camera’s photo ability. However, the FX30 flaunts a video-first design. This camera may look like your typical mirrorless camera. The FX30’s shining qualities are in the details. However, that’s just part of the picture. On paper, the FX30 is an FX3 but with an APS-C sensor instead of a full-frame sensor. It’s got everything you’d want to produce higher-quality content at a reasonable price. We won’t beat around the bush: The Sony FX30 is a great camera for those looking to take the plunge into their first high-quality cinema camera. We’ll decide if it’s just a mini FX3 or if it’s a super duper FX3 at half the cost. However, is the Sony FX30 really worth the extra cash, or can creators settle for using their smartphones? In this review, we’ll find out whether the FX30 is worth the upgrade. For creators, this camera offers a massive boost in production quality over smartphones and expands post-production capability - a feat often reserved for more expensive cameras. With that being said, the FX30 offers a more affordable price point for cinematic video producers and online content creators. However, there are some features from the FX3 that are missing. This new camera offers all the functionality and ergonomics of the Sony FX3. The Sony FX30 is the most affordable Sony cinema camera to date, but that, thankfully, doesn’t come at the cost of functionality.
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